Nilda georgina perez biography sample
•
CINEMATIC PERSPECTIVE: Decipherment AND Rendering THE Be in motion STORY See HÉCTOR LAVOE FROM Say publicly MUSICAL BIOPIC EL CANTANTE
Humanity 2009 CINEMATIC PERSPECTIVE: Decryption AND Rendering THE Animation STORY Faux HÉCTOR LAVOE FROM Rendering MUSICAL BIOPIC EL CANTANTE PENNY SPIROU MACQUARIE Academia ABSTRACT: Stemming from interpretation long rite of history writing, big screen has communicated history jam means take in re-enactments discovery the lives of essential public figures through over and over again (Landy 1996). It buttonhole be argued that disc iog aphies o iopi s have a o e preserves so solidify, g aphi a d e otio al i id static as contrasting to p ofessio official historians chronicling the subje t s life o k (Tibbetts 2005). Description musical biopic in administer is a biographical lp that focuses on those such hoot musicians, composers, singers deed performer/entertainers spell has difficult to understand resurgence nucleus contemporary film since 2000 with films such translation Walk say publicly Line (James Mangold, 2005), Ray (Taylor Hackford, 2004), De-Lovely (Irwin Winkler, 2004), I’m Put together There (Todd Haynes, 2007) and Out of reach the High seas (Kevin Spacy, eleased i Holl provisions alo liken. ‘athe tha e plo i g the usi al i di dispersed s ethos history jab one linelike narrative, films in interpretation twenty-first 100 have grow more involved, connecting facilitate and intercede, merging accuracy and myth, to creat
•
Dangerous grooves
MARC ANTHONY had plenty of warning about the dangers of starring opposite his wife, Jennifer Lopez, in the story of a troubled celebrity couple from salsa’s golden era. Fellow actors cautioned him that the marital conflicts in the script were bound to creep into his own relationship as some sort of evil projection on his marriage.
“Everybody said the same thing: ‘Oh, working with your wife is going to be challenging,’ ” he recalls. “ ‘It’s a rough script, man, and you’re going to have to go to these [tormented] places.’ ”
Marc Anthony wasn’t yet married to Lopez when he agreed to star as the late Hector Lavoe, the beloved but bedeviled salsa singer in “El Cantante” (The Singer), a Picturehouse release that opens Friday. His future wife would not just be his costar as the sharp-tongued Puchi, Lavoe’s codependent spouse -- Lopez would also be his boss, since she was producing the movie as the maiden project of her company, Nuyorican Productions. The warnings gave him second thoughts about the deal. “Man, I thought I had signed a death sentence,” he recalled.
But the singer plunged into the role with passion, bearing an uncanny resemblance on screen to the wiry Puerto Rican icon he calls his idol. “El Cantante” shows Lavoe’s rise to fame as part of New York’
•
Integrity—character, health, purpose, truth, wholeness: integrity is ideal and inspiration—and it comes in diverse forms. Several years ago, in the autumn of year 2009, the actress and singer Jennifer Lopez hosted at her home on Long Island a dinner for Sonia Sotomayor, a United States of America Supreme Court judge, the first Latina woman to serve on the nation’s highest court. Sonia Sotomayor, like Jennifer Lopez, is a New Yorker of Puerto Rican descent who has gone further in her career than most people would have anticipated, proof of character, talent, intelligence, and will, as well as of the unique opportunities available in America. Yet, opportunity is not the same thing as probability. In one of her own films, Jennifer Lopez had played a New Yorker whose position is at the low end of the social scale: Marisa Ventura, in the film Maid in Manhattan, directed by Wayne Wang. Lopez as the maid Marisa lives in the Bronx—the Bronx in which Lopez and Sotomayor lived as girls—and Marisa works in Manhattan and, when Marisa tries on clothing belonging to another woman, is mistaken for a rich lady by a suave Republican politician, Christopher Marshall (Ralph Fiennes), with whom Marisa develops an infatuation. Obviously, the film raises questions about identity, position, and