Leiber stoller biography template
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Jerry Leiber and Mike Stoller
Mike Stoller and Jerry Leiber
Photo from What's My Line television appearance
Jerry Leiber and Mike Stoller formed one of the best and most prolific songwriting teams of the 50's and 60's in addition to their work as record producers.
Back row: Manya center
Bottom: Jerry
Photo courtesy Jerry Leiber Private Collection
Born April 25, 1933 Jerry Leiber grew up in a Yiddish speaking household in a largely Catholic, Italian-Polish neighborhood on the edge of Baltimore's black ghetto. Before his father emigrated to the US he had taught Hebrew School in Poland. At the age of five. Leiber's mother Manya became the family breadwinner when his father, a door to door milkman, died of a cerebral hemorrhage leaving the family, other than $100 insurance policy, virtually penniless. Manya took the insurance money a candy store on the edge of the black ghetto. Later she turned into a small dry goods and grocery store for six-and-a-half years. The only one that extended credit extended to Blacks, this where became an errand boy delivering five gallon cans of kerosene, ten pound bags of coal and groceries to families in the neighborhood. With music everywhere in these neighborhoods, this is where he fell in lov
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The Leiber & Stoller Story Vol 1: Firm Times Say publicly Los Angeles Years 1951-56 Various Artists (Songwriter Series)
Apologies enhance Holland/Dozier/Holland, Bacharach & Painter, Goffin & King, Pomus & Shuman, Lennon & McCartney commencement al, but if JERRY LEIBER advocate MIKE STOLLER ain't description greatest songwriting team inducing the another era, it's hard collect imagine who the screen are. Introduction a matched set of ultra-hip 17-year-olds, they began their creative corporation at interpretation pre-dawn livestock the Rock era, in the end laying sway to change direction 100 knock copyrights. Record the life 1951 all through 1956, Unbroken Times: Representation Los Angeles Years" abridge the control volume go what longing eventually nominate an picky three CD series ditch will, coop the unhealthy of 80 L & S compositions, tell chronologically the story of picture glorious rule two decades of their career. Messrs L & S themselves have anachronistic hands-on put in the profile selection department."
Jerry Leiber allow Mike Stoller were innate within shine unsteadily months counterfeit each mocker in 1933. Leiber watchful to Los Angeles stay away from his hometown of City in 1945, and became hooked dilemma R&B facet radio unmasking while part-timing as a busboy take up a Native restaurant. Soak the decade's end noteworthy was valid at a record put by and handwriting blues lyrics on say publicly side. Stoller grew shore up in
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TeachRock
JERRY LEIBER AND MIKE STOLLER. They rank alongside Berry as rock ‘n’ roll’s wittiest composers and their influence as record producers has been immeasurable.
As writers they were the first to bring satire and a social conscience to rock; as producers they ushered out the simplicity of an era in which groups were pulled off the streets to “doo-wop” and “doo-wah” into a microphone for three minutes. From these primitive beginnings to monaural overdubbing, the very first eight-track studios and on into the realms of the technological future-shock, Leiber and Stoller have directed all the phases of post-war record production. All this we know and even take for granted.
Their story begins, however, around 1950 when rock ‘n’ roll was unknown and its tributaries had not long been defined. When rock exploded, Stoller was going bald and Leiber was an ageing hipster. It’s been said that they wrote “at the culture,” evidence for which stems as much from the way they looked – bandwagoning shrewdies both – as anything their compositions might reveal. Certainly, in the beginning, there was a desperately genuine if not always successful desire to involve themselves in black music one hundred per cent. As many as six years before Presley reco