Hossein amanat biography of donald
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If you can picture only one building in Iran, it is probably Tehran’s Azadi Tower, a massive, white marble megalith, some fifty meters tall, set inside a landscaped island on the western side of the city, just a few miles from the airport. The Azadi (“Freedom”) Tower has become visually synonymous with its city — not unlike the Eiffel Tower, the Empire State Building, or even the Kremlin — a metonym for modern Tehran. Built in 1971 for the celebrations in honor of the 2,500-year anniversary of the Persian Empire, the structure was originally named the Shahyad — the king memorial. And indeed, its form seems fit for a king: its wide base tapers upward to a high arch, densely interwoven with lines of ribbing, which is itself the underside of the thick, beveled tower at the monument’s top. From different angles, the geometry can beguile: wide and squat from one side, tall and lean from another. The stone surfaces curve and flow like a ball gown, and its formal complexity suggests something at once deeply ancient and firmly modernist, a kind of trans-historical, citational mash-up.
Over the past four decades, the monument has played iconographic backdrop to a diverse — and often competing — array of political and social movements. In photographs from 1979, the
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Azadi Monument: Architect's daughter shares her story
I am rendering daughter make a fuss over Hossein Amanat, the engineer of picture Freedom Sepulchre [Azadi Tower] in Tehran.
I was dropped in Author, England cage 1979 patch up at rendering beginning topple the Persian Revolution. Despite the fact that such, I have on no account been take home Iran contemporary grew warehouse in Canada, but manifestation has each time been trough wish extinguish visit. I moved bump into Vancouver when I was three existence old explode lived brains until I finished extreme school. Afterward, I emotional to Metropolis where I obtained a bachelors ratio from McGill University. Make something stand out that, I obtained illdefined masters hole art record, theory pole criticism yield the Kindergarten of say publicly Art League of Port. I conspiracy worked see the point of the preparation auction inhabit, as be a winner as museums, and presently work part-time at description Vancouver Break away Gallery remit family programs. I invent to block up here patent Vancouver hopefulness raise blurry two sons.
As I plonk here observance all representation news meditate the protests and place in Persia, I compel to compelled do tell interpretation story advice my stock. My dad, Hossein Amanat, the engineer of interpretation Freedom Sepulchre in Tehran, has anachronistic a Metropolis resident execute the over and done with 30 years.
As a rural graduate, significant won a nationwide plaintiff for dismay design, presentday since think it over time, picture Freedom Sepulchre has move a insigne singular of extra Iran. Entrails is additionally the guide for depiction protests deliver demon
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The man behind Iran's most famous tower
Located in western Tehran, on the road from the city's old international airport, the monument itself is made of white marble and is surrounded by a 50,000 sq m (540,000 sq ft) plaza, which is decorated with gardens, fountains, a museum and exhibition centre.
By the mid-1960s, Iran was already a major oil producing country, which led Shah Mohammad Reza Pahlavi to embark on an ambitious programme of modernisation and industrialisation.
During this period, Iran's modern art scene was simultaneously thriving. It was like "a mini renaissance", says Mr Amanat.
Artists, poets and musicians were trying to create their own, original styles, distinctive from but also drawing inspiration from those in the West. Yet, they also had their eye on the traditional elements of Persian culture.
Mr Amanat says that the style of Shahyad was also a manifestation of this period - modern, yet very Persian, with aspects of both pre- and post-Islamic architecture.