Brendan jamison biography of mahatma gandhi
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Bhakti
Ankur Barua
At the heart of many forms of Hinduism is a multiple-layered vision of becoming concentred in the divine reality. Across three millennia of Hindu socioreligious history, various texts, teachers, and traditions have envisioned a world suffused with divine presence within which individuals are engaged in projects of self-negating reformation. Central to many of these images of divine-human alignment is the notion of bhakti, which defies straightforward translation: bhakti encompasses various ontological, experiential, cultural, and sociological dimensions of Hindu worldviews. Thus, bhakti is interwoven with the scriptural cosmologies, ritual practices, affective sensibilities, spiritual disciplines, and material cultures associated with Hindu lineages founded by several paradigmatic gurus. Some of these templates are sketched with Sanskrit philosophical and theological vocabularies; they have also been articulated, especially over the last millennium, with the vernacular idioms of Bengali, Hindi, Marathi, Gujarati, Tamil, and others.
Bhakti is encountered in diverse socioreligious contexts of Hindu life – as an attitude of self-effacing dedication to an icon (mūrti) of the divine reality (brahman) placed in a massive stone temple or a small h
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Reaching for 'The Heart Of The Matter'
“He sat down in his own room under the handcuffs and began to write.”
THAT PAIR OF RUSTY CUFFS hangs "like an old hat" above the desk of Major Henry Scobie in Graham Greene's 1948 novel The Heart of the Matter. The shackles symbolize the sense of responsibility that hangs over Scobie as a husband, Catholic, and colonial police chief in British West Africa during World War II. But they also signal Greene's own inescapable sense of responsibility as a writer. Like Scobie, Greene approached his work as a function of conscience as well as conscientiousness, a duty as prosaic as accurate note taking and as imperative as justice.
It was the prosaic sense of writerly responsibility that first drew me to The Heart of the Matter. As an author of historically based novels, I try to get my facts straight by reading the broadest possible variety of texts written by and about individuals who've lived in circumstances similar to those of my characters. Currently, I'm working on a story set in a colonial outpost during World War II; The Heart of the Matter is set in 1942 in a similar outpost in West Africa, where Greene actually was a wartime spy for the Allies. I turned to this novel in search of i
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